Research – critical aesthetic creation with intercultural approach

Abstract

This article intends to show the nature, route and theoretical assumptions of the research: “Critical Aesthetic Creation (IEC)â€, understood from the integrally recognized experience of colonialism on the field of knowledge and the eastern contemporary aesthetic practices. As such the theoretical critical principles from where this proposal departs will be exhibit, as well as its interpretations to the concept of artistic knowledge in the eastern culture tradition. This, necessarily implies to question the research statute, process, project, work, truth; legitimization and other had cores of western gnosiology of art. With the purpose of achieving this goal , the principal aspects indicating the route between the exploration of memory as a place of enunciation and the work, conceived as a projected life and semiotic of individual/collective balance are put into consideration.